Chicago - A message from the station manager

Honoring Chicago’s New Doctor Of Jazz

An Icon In His Own Right

“Joe Segal, founder of Chicago’s Jazz Showcase, will receive an honorary doctorate degree from his alma mater, Roosevelt University, on Friday at the Auditorium Theatre,” the school has announced.
“A Roosevelt student between 1947 and 1957, Segal, 87, began presenting jazz shows for the enjoyment of all Chicagoans beginning in 1947, and his jam sessions at Roosevelt were known to feature such legendary musicians as Charlie Parker, Lester Young, Dexter Gordon, Thelonious Monk, Sonny Rollins and many others.

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Posted on December 12, 2013

The Weekend In Chicago Rock

Curation By The Beachwood Rock Local Affairs Desk

You shoulda been there.
1. Charles Bradley at the Metro on Friday night.

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Posted on December 9, 2013

The Week In Chicago Rock

Curation By The Beachwood Rock Local Affairs Desk

You shoulda been there.
1. Riitz at Mojoes in Joliet on Sunday night.

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Posted on December 6, 2013

Local Music Notebook: Twista Is Back, The Orwells Are Here & Chief Keef Is Gone

Plus: Lane Tech’s Pro Tools

1. Lady Gaga Steals Keef’s Last Shred Of Credibility While Accruing None For Herself.
2. Lane Tech’s Recording Studio Gives Pro Music, Mixing Tools To Students.
“Studio 2501 (named for the school address, 2501 W. Addison) is the only high school in the state to offer a sound engineering class,” Dave Hoekstra reports for the Sun-Times.
That’s pretty cool, but it’s still CPS:
“Lane Tech would not disclose the building budget.”
Probably embarrassed because other schools have had their music programs gutted.

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Posted on December 4, 2013

Elton John In Rosemont (And Beyond)

By The Beachwood Music Department

“Fans needed a spreadsheet to keep track of the hit parade Elton John performed Saturday at a packed Allstate Arena,” Bob Gendron wrote for the Tribune over the weekend.
“The English icon drew from four decades and paid particular attention to his epic Goodbye Yellow Brick Road, opening the 160-minute concert by playing the first side of the 1973 album in celebration of its 40th anniversary.
“Per usual, he viewed the roles of crowd pleaser and flamboyant showman as one, and excelled at both.
“Yet John offered more than the cozy comfort of nostalgia. He subtly changed standards to suit his current vocal range and occasionally dug deep into his catalog, pulling out nuggets such as the rustic ‘Holiday Inn.’
“More impressively, Captain Fantastic dazzled on the piano, exhibiting techniques and skills often lost amidst the sweep of his melodies. If John has grown tired of singing favorites like ‘Don’t Let the Sun Go Down On Me’ and ‘Levon,’ he didn’t act it, especially given the way he attacked lyrics, flashed wide grins and kept a close watch over his band.”
Indeed. As the following video compilation shows, Elton’s piano playing these days is positively inspired, and he remains emotionally invested in even his oldest, most well-played songs. Even more, he wants his audiences to feel the same, gauging reaction to opening notes to see if they recognize the tune, and offering sly and sometimes pleading (and sometimes proud) smiles to fans as if to signal that he is a fan too – as well as the artist who created (in large part with lyricist Bernie Taupin) these amazing, enjoyable, often odd and sometimes jaunty works.
We’ve reconstructed the set list from Elton’s Rosemont show through the wonders of YouTube, supplemented where needed (as noted) from other recent shows.
1. Funeral For A Friend/Love Lies Bleeding.

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Posted on December 3, 2013

The Weekend In Chicago Rock

Curation By The Beachwood Rock Local Affairs Desk

You shoulda been there.
1. Zombi at the Empty Bottle on Friday night.

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Posted on December 2, 2013

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